After leaving CBS he designed lettering for AC/DC’s High Voltage and Let There Be Rock albums, the latter being adopted for the now iconic AC/DC lightning bolt logo. He also designed logos and covers for Foreigner, Firefall, and The Outlaws. He worked with Roger Huyssen on the branding for Clint Eastwood’s Bronco Billy, Super Bowl XXVIII, and designed logos for The Coal Miner's Daughter, Friday the 13th-Part III, and the one-sheet artwork for Atlantic City and Star Trek III: The Search For Spock. He also created theme art logos for ten years for the annual Breeders’ Cup event.
He expanded beyond the recording and movie industry to design logos for Swiss Army Brands, MSG Network, HBO, CBS Records Masterworks, Waldenbooks, Spelling Entertainment, Nabisco, Calvin Klein’s Eternity, Arista Records, Type Directors Club, Pepsi, the mastheads of Time, Money, People, The Atlantic Monthly, PC Magazine, Adweek, Us, Conde Nast’s Traveler, Working Mother, WordPerfect, The American Lawyer, The National Law Journal, The National Catholic Register, Illustration and Architectural Digest. He has also created corporate alphabets for Waldenbooks, Time-Life and Conde Nast. He designed watch dials for the Original Swiss Army Watch and their complete line for fourteen years. He also created original product illustrations.
He is currently part of Letter As Image, a traveling letter form exhibition of corporate and popular use of hand-drawn iconic letter forms created in the last 40 years. This exhibition has traveled coast to coast from Harold's Gallery in Los Angeles, CA to The Society of Illustrators in New York.